LARGE ENSEMBLE

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Ah! The hovering...! (2018), for sinfonietta (1.1.2.1., 1.1.1.0, piano, 2 perc, acc., 1.1.1.1.) Written for Alarm Will Sound at the Missouri International Composers Festival, July 2018.

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half murmur (2017), for sinfonietta (1.1.1.1., 1.1.1.0., piano, 2 perc, harp, 2.1.1.1.)

10'. Written for the Earle Brown International Summer Academy/Talea Ensemble at Time Spans Festival, August 2017. 

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Territory (2016), for sinfonietta (1.1.1.1., 1.0.1.0., piano, 2 perc, 2.1.1.1.) 10'.

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CHAMBER ENSEMBLE

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Conditional (2019), for Wolftone (bassoon and violin). 10', or longer.

 

for the [r]amp (2019), for open instrumentation + objects. ~20'.

 

FAT SUNSET 2018 (2018), for open instrumentation (instruments with sustaining capabilities). 

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Company (2018), for trombone, two guitars, percussion, cello, objects. . 20+'.

Commissioned by Heavy Air

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Entrance at the End (2017), for electric guitar and percussion with objects. 10'. For The Living Earth Show @ UC Davis Revision/s Festival, January 2018.

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rev. 2018 for two performers and electronics. 

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AT A STEADY CONSISTENT RATE (2017), open instrumentation. 

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6 fingers / we go there by any road we take (2017), for bass flute, oboe, Eb clarinet, violin, cello, voice. 10 - 15'. Commissioned by Kamratōn Ensemble. 

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from the signal (2017), for double trio (1: clarinet, trumpet, percussion, 2: violin, viola, cello). 10'. Commissioned by the Chicago Civic Orchestra Composers Project, May 2017. 

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here (2016), for string quartet. 12'. Written for the JACK Quartet. 

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For 5+ Performers (2016), open instrumentation. at least 8'. 

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go or cross over (2016), for oboe, bassoon, piano, amplification 9-10'. 

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breached (2015), for guitar quartet. Commissioned by the Cola Guitar Quartet, May 2016. 7'. 

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the more I see (2015), for string quartet. 6'. 

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Daddy (2015), for percussion I, percussion II, piano. 5'. 

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Indulgent (2014), for alto saxophone, percussion, piano. 8'.  

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Tandem Repeats (2013), for flute, clarinet, electric guitar, double bass, piano. 7'.

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SOLO

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IN A DARK ROOM, I WILL SHUT MY EYES (2019), solo bass improvisation. 8+'. 

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In Resonance (2016), for solo percussion. 8-15'. 

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Distinction I (2016-17), solo instrument and electronics. 8'. 

 

Visual Field (2015), for bass clarinet. 6-7'.

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